Shure Microphones 2026 — SM7B, SM58 & MV7

Professional Shure microphones trusted in studios, broadcast booths, and on stages worldwide — the same dynamic and condenser capsule designs used by working audio engineers, now available for podcasters, streamers, and musicians.

Shure SM7B & MV7+ — Podcast & Broadcast

The SM7B is the broadcast industry-standard dynamic microphone, known for smooth, controlled vocal reproduction and built-in pop filtering. It typically needs a cleaner gain boost (inline preamp or strong audio interface) to reach its full potential. The MV7+ is Shure's hybrid USB/XLR podcast mic — auto level mode and onboard DSP make it a simpler plug-and-play alternative to the SM7B for creators without a full studio chain.

Shure SM57 & BETA Series — Instrument & Vocal

The SM57 is the most-used instrument microphone in live sound and studio recording, especially on snare drums and guitar amps. The BETA 57A and BETA 58A are supercardioid upgrades to the classic SM57/SM58 pattern, offering tighter rear rejection for loud stage environments. The PGA58 is Shure's budget-friendly cardioid vocal mic for home studios and small venues.

Shure KSM9 — Handheld Condenser

A dual-diaphragm handheld condenser switchable between cardioid and supercardioid patterns — used by touring vocalists who want condenser detail without the fragility of a studio condenser on stage.

Frequently Asked Questions

Do I need an audio interface for the SM7B?

Yes, generally. The SM7B has a low output level and benefits from an interface or inline preamp with at least 60dB of clean gain to avoid needing to boost noise floor along with the signal.

What's the difference between SM57 and BETA 57A?

The SM57 has a cardioid pattern and is the long-standing industry default. The BETA 57A uses a supercardioid pattern for tighter off-axis rejection, useful in louder, more crowded stage setups.

Is the MV7+ good enough to replace the SM7B?

For most podcasters and streamers, yes — the MV7+'s onboard DSP and USB simplicity remove the need for a separate interface. Studio engineers chasing a specific SM7B tonal signature with full analog control may still prefer the SM7B with a dedicated preamp.